Charles' 20 Walk observations
	 
    
    
    
    
    
      
      - The      shoulders seem to move opposite of the hips.
 - If the      shoulders do mimic the hips then the walk is more of a waddle.
 - If      there is no contact pose, where both feet touch the ground, then it is a      run.
 - Females      have more vertical hip movement.
 - Feminine      walks are a result of having the feet land closer together, as if the character      was walking on a tightrope.
 - Feminine      walks are not as bouncy as masculine walks.
 - The pass position is not always a direct tween for the up and down position. The foot might not pass the leg right on the pass position.
 - In a      confident walk the body is held more forward and upright.
 - In a sad      or sulky walk the upper body is hunched over.
 - The      heel leads the movement of the foot.
 - The      heel is the first part of the foot to touch the ground, unless the walk is      a sneak or sprint.
 - In a      real walk the foot only comes off the ground a few inches.
 - In a      typical walk cycle the arms pump only once from one contact position to      the other.
 - In a      limp people typically keep the injured leg as straight as possible.
 - The      bounce or sag in a walk not only conveys weight but mood as well.
 - The      arm movement in a walk accentuates the mood or personality conveyed      through a walk.
 - There      is ease out when a foot leaves the ground and more of a snap when the foot      is placed on the ground.
 - The jiggley      bits like hair and fat appear to move contrary to the movement of the body      because of inertia.
 - The      swing of the arms is widest on the down position.
 - Both feet      are rarely pointed straight ahead in a walk.
 
       
    
     
    
    
  
   
  
  
  
  
 
  
  
 
 
 
 
 
 
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